#find echo point

[starry-bi-sky]

Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal

Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.

Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)

Danny: I-- of course, older brother. :]

--------

Bruce: what do you have there, Damian?

Damian:

Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)

Damian, who smuggled him in (they've made amends): a smoothie, father

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Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.

Danny: hello!

Damian: we're cool now

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Damian: thoughts on resurrection

Danny, (a full ghost): i will succeed in murdering you if you try it

Damian: we'll put a pin in it then

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Danny (still instilled with League values): why don't we just murder him??

Damian, on patrol (Danny followed him): we don't murder people, Danyal

Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?

(There is raucous laughing through the comms)

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Danny, five, pre-death: Dami! :D

Danny, dead, vengeful: Older brother (:

Danny, post-forgiveness: Dami! :]

-------

For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.

Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.

His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.

Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.

Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.

Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.

danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."

This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.

First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.

This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.

There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.

Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.

The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.

Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.

The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.

[ganondoodle]

Regarding Demise: He is an interesting concept, as is the whole eternal cycle, but for that to actually become something worthwhile the games/stories would have to actually DO something with it. So far they are introduced in Skyward Sword and thats it! No other game even references them. And, yes, that cheapens EVERY other game because there is this implication that its all out of the control of the actual characters in the story because of this one asshole that we only ever saw once! Why not have Ganondorf realize that he is possessed/manipulated by this weird old Demon God? How would he react, would he embrace it, would he rebel, would he be broken by the realization that none of his actions were ever *his*? I dont even care which of these options they pick, as long as they pick any of it and do just ANYTHING with the concept.

Or maybe Link or Zelda figures out the Cycle and starts looking into breaking it because endlessly repeating Demon Attacks kinda suck and you dont want that for your descendants.

Or have a game focus on them remembering bits from past lives and having to piece it all together or, again, just ANYTHING!

The closest they ever came to was with BOTW Zelda praying to Hylia, aka HERSELF, to unlock her powers, which is some brutal narrative irony, but not much more.

And regarding the whole Zelda is Hylia thing, I've seen some headcanons about how Skyward Sword Zelda is terrified of herself after learning that, because she now has to assume that everything she did was planned by a version of her that she no longer is. Is Link her friend or is he the useful pawn that Hylia needs to turn into the Hero? Does she even deserve his affection when she probably manipulated him into becoming her champion and fighting, possibly dying for her all her life?

Thats juicy, thats something you can do something with but Nintendo really does like to plan those stories game per game without any care for the larger story.

Which I guess is the Irony of it all. They tried the whole larger connected story/universe thing once: With Skyward Sword. After all that was also the time we got the first Hyrule Historia & "official timeline" as well as "How it all began" in the game itself.

It felt like the start of a new era for Zelda games and stories and then it just... wasn't.

And while I get that they want to focus on gameplay over story, I will never stop mourning the stories we could get/have gotten, if they put a bit more thought into things.

I actually feel like its harder to make the 'cycle' into an interesting plot point when its a .. divine thing that happens, and not perpetuated by the people (though not impossible, given how the series is build up it would need alot of work to not make it worse still..)-

i actually cannot stand the idea that ganondorf is possessed or manipulated, made eviler by demise somehow (demise is dead, leave him beeeeee hes not some evil master mind behind anything aaaaah) bc it STILL takes away ganondorfs agency and character and gives right into the whole hes basically born evil and just pushes the fault tm onto someone else it in turn legitimizes that the kingdom of hyrule and its high rule (heehoo) is right and if only gan wasnt manipulated hed be good tm, aka allied with the goodest guys, hed gladly accept their invitation and join their holy empire of goodness tm if wasnt for da demon

(and i love to say, who decides what is good tm and evil tm? bc hyrules monarchs making every other tribe their subordinate and persecuting shiekah for example isnt what id call good but its fine bc the good holy guys did it in the name of "peace" -what is their idea of peace? everyones under their rule and must worship their god? uh oh- and resistance to it is gonna get you labelled as evil!! (unless you join their holy kingdom and become their vassal of GOOD) what good and evil boils down to in zelda is .. being allied/ruled by the kingdom of hyrule and being opposed to them, even if its only not wanting to be subjugated by them)

i can see the appeal to some degree, but i dont like the idea of ganondorf even being able to be manipulated or possessed, what makes his character, before it got flattened into well he just be demon in the eyes of the average fandom, interesting is his unbreakable will, that drive to keep on living and resisting those that want him dead, its poetic and sad, to the point that (until totk ...) it was really just ONE ganondorf that refused to die and came back over and over (also something i found a compelling thought for botw, that after all this time theres nothing left BUT his will to resist, its a tragic idea that rly spoke to me)

my personal idea of the cycle is that its only a cycle bc they, the kingdom of hyrule and their belief system, keep it going, its not a divine thing that needs to be broken (though the divine surely messes with it, just for the bit i guess) but something that keeps repeating bc hyrule is so soaked into the idea that their princess once was a god and hers is the right to rule it all in light- so anyone who doesnt agree must be of the demons from the darkness seeking to destroy the world, and what means the 'world' could just mean the kingdom of hyrule- in botw even with the calamity people went on and lived, same in windwaker, they dont need the holy kingdom to live- (who is to say the 'monsters' are bad for the land, to me they mostly looked like well adapted territorial beasts, and the bokblins etc clearly arent mindless monsters either, why do they need to be eradicated? they attack you? ok dont go into their territory, or defend yourself, you dont need to exterminate something just bc it could be a threat at some point)

(i do agree that conflict with zelda being interesting but uuuh .. well they never did anythign with that huh)

in the end, demise was just a throw away villain, and if i may get my tin foil hat back here, i feel like the whole creation myth skyward sword does was really just a way for them to get out of the predicament of having to consider a villain to be treated like a person to save themselves from having to think about what they imply and can just go, well this is the evil demons, this is the good gods- ironically enough the attempt to get out of having to consider complicated writing it ends up reversing straight back into the WORST of kinds of implications .. that arent even subtext anymore, if totk is anythign to go by, the most 'simple' or 'easy' narrative to go for might not be actually simple, just a so often retold one that it appears simple if not made aware of its dark maw, the status quo repeated ad nauseam

(and if i may, the whole gameplay over story thing is bs in my eyes, that sounds like the typical attempt of dismissing any critique, just like the stupid, and frankly, offensive "its just for kids" argument, story and gameplay are inherently intertwined, the story influences the gameplay, the gameplay influences the story, especially in a series like zelda that is a futile thing to go for and a reason why the stories themselves lack depth, how are you gonna have an epic adventure that drives you to get through any amount of puzzles and battles if there is no story to motivate you, at this point it feels like the series has set itself up for catastrophic failure bc i imagine, people might just keep buying and playing the games bc its attached to the series, bc they hope to see characters they loved return, new ones that will grab their attention, perhaps be taken away by a world that meant alot to them once before, hope that there will be something exciting-

i am not saying the series has no value or doesnt do anything well (hello who am i) but how many times can you repeat 'this guy good he fight evil guy he get the pretty princess as reward' without any interesting twists or narrative, even the most beloved characters can only keep it passable for so long, even the best gameplay loses its potential if its surrounded by cardboard characters and a story so "simple" as offensive it fits into a single page, i often wonder how a game would be seen if it wasnt titled -the legend of zelda- ..

it hurts especially when looking at its long history, how much estblished thigns it could exploit and expand, the potential the series has is still immense, it hurts to see it be wasted over and over :(

[sincerely-sofie]

Brainstorming a protagonist for the Dugtrio Day AU

Meet Echo, everybody!

[aliusfrater]

[pynkhues]

Devastating on many fronts, but also comedy gold on even more.

(The energy of this scene though too makes me think this isn't the first time Louis' brought a man home).

[mwolf0epsilon]

It's a good thing the 501st rallied together to get such a nice couch for their section of the barracks at the GAR headquarters. Fives certainly couldn't ask for a better place to spend a couple of hours on, while Tup takes his naps and '22 slowly gets reacquainted with the concept of socializing. Now, if only studying law wasn't so dang boring...

After rescuing Tup, Dogma and Slick from Kamino's clutches, Fives takes it upon himself to study law. Not because he intends to become a lawyer, mind you, but because if he wants to purse private investigation as a career to help the vode (especially the Coruscant Guard), he should certainly know how to stay within the confines of the law... Or at least know how to circumvent it via technical loopholes.

A part of him thinks Echo would find it amusing that he's become the egghead bookworm of Domino Squad when he used to proudly proclaim himself as the aloof jock. Another part of him thinks his twin would have been proud of him for doing something he's not particularly fond of, if just to be proactive and help others.

Funnily enough, his studying isn't the only way he ends up helping. Tup only feels comfortable resting if he's with someone he trusts, and since '22 was kept in such a sterile and lonely environment post-reconditioning, he's grown unused to people and has even worse trouble socializing than Dogma ever did. The two and their Beans always find their way to Fives's side, and he never really has any complaint about being their security blanket.

[shinakazami1]

Been replaying New Tales and--

I get Anu in one thing. She saw her home Planet get destroyed. She had to take care of her younger brother who in her eyes was good for nothing. She somehow landed a job and thought it wss because Rhys saw potential in her. Her hero did. She wanted to get approval and safety, she forgot to care for others before the game.

I get Anu.

She found security in Atlas.

Too bad Rhys has changed....

[razzle-zazzle]

Whumptober Day 14: Left for Dead

"'Cause I want you to know what it feels like to be haunted" -tiLLie, kooL aiD mAn

2367 Words; Divergent AU

TW for attempted emotional manipulation (pythor)

AO3 ver

The ocean was just as blue looking from sandy shores as it was looking from the lighthouse.

Well, no, not exactly the same—it was much closer, now, the sense of distance he was so used to gone. But the white-capped blue looked almost the same as ever, so he turned his attention to the rest of the beach behind him. To the trees further on, and the jungle further beyond that.

Cole—the bulkier of the two humans who had found him—and Morro—the human with the green streak in his hair—had disappeared into the trees a while ago to check on something. This left him with Pythor—the Serpentine, a species that he had never seen before—who had taken to lying on a particularly warm boulder higher up on the shore, eyes closed.

It was… it was all so new.

(“Do you want to leave?” Morro had asked, after Cole and Pythor had—with his instruction—helped get his leg and arm working again.

He had. He wanted to leave so badly.)

His name… Father had named him Zane, but when he had proclaimed that to the group, they had all exchanged looks he couldn’t decipher. Cole in particular had looked at him so strangely, and kept tripping over his name, like something was knotted up in his mouth. That was new, too.

But the group’s boat had ferried them westwards to this island—not the mainland Father had once lived on, which was to the east of the lighthouse—and Cole and Morro had disappeared behind the treeline fairly quick, leaving Zane and Pythor behind.

He ambled over to Pythor, careful of the shifting sand beneath his feet. His joints creaked, not particularly happy with the boat trip and the sea air, but they didn’t give out. He poked Pythor’s head, and waited for a response.

Nothing. He poked the white-splattered scales again, and Pythor grumbled. Violet eyes opened barely a crack, squinting blearily up at him. “Oh, what do you want now?” Pythor demanded, rolling his tail over slightly. “I can’t entertain you all day, you know—these tired old bones need their rest.”

Zane considered his words, mulling them over. Pythor’s eyes slipped closed, a low hiss escaping his mouth like a sigh, and Zane spoke.

“Does my name bother you?” Well, Pythor had seemed more surprised than bothered, but he surely knew Cole better than Zane did, and would be able to remedy any confusion.

Pythor’s eyes opened again. “What?”

“Does my name bother you?” Zane repeated, like he would for when Father didn’t quite hear him, or forgot the question. Then, after a moment, he started to elaborate, “When I introduced myself, you all looked at me funny—”

“Yes, yes, I heard you the first time.” Pythor held up a hand. He hmmed, his head lifting up to regard Zane more closely. “As for your question… not particularly.” He answered, lazily waving his hand. “I find it more ironic, maybe even amusing.” His head fell back to the rock, his eyes starting to close—

“Does my name bother Morro?” Zane asked, no less confused than before. “And why do you find my name ‘ironic’?”

Pythor stared at him reproachfully. “My, you ask a lot of questions.”

“It is part of my purpose, so that I can help aid Father’s memory.” Zane stated. “Does my name—”

“I wouldn’t know.” Pythor shrugged, cutting Zane off. “You’d have to ask the boy yourself.” He sat up a bit, readjusting to bring his tail around in front of him so that he could rest his neck upon the coil. “As for why your name is ironic—well, it really only makes it clear that you’re a copy.”

“I do not understand.”

Pythor chuckled lowly. “I imagine you wouldn’t.” He yawned, then spoke again. “Tell me, did this Father of yours ever mention any other… children, of his? Other creations, other sons?” He sounded lightly amused, though Zane wasn’t sure why.

Zane took a moment to think over his answer. “He would often tell me of his time on the mainland,” he started, “but he never mentioned any other sons. Why?” Well, no, Father had once mentioned having a son, but always brushed it off or insisted that Zane was his son, his only son.

Pythor grinned. It was slightly unsettling. “You really don’t know?” He reared up, neck twisting to bring his head closer to Zane’s. “You’re not the original Zane.” He crowed, looking Zane up and down, “You’re clearly just the copy cobbled together from scraps.” At once, his pleased demeanor vanished, replaced with something more sympathetic. “I imagine your Father must have been lonely, in that lighthouse. No wonder he rebuilt the son he loved so much.”

Now it was Zane’s turn to be perplexed. Thrown, even. “What…?”

Pythor reached over, patting Zane’s shoulder. “I’ve met him, you know. The first Zane. Fought him, even.” His eyes slipped closed in remembrance, “Ohhh, it was certainly a time. You know, I didn’t even know he was a nindroid until… hmm… I suppose it must have been sometime after being swallowed by the Great Devourer.”

“Nindroid?” Zane asked, feeling incredibly lost. Then, discarding the term as unimportant—“What do you mean, anoth—an original Zane? I’m Zane.”

Pythor hmmed, tapping his claws against Zane’s shoulder. “A copy.” He declared. “Made of scrap and abandoned when the original came along—”

Zane punched out, knocking himself over. Sand caught in the cracks and seams of his back as he got back up, and Pythor stared at him.

Zane decided he didn’t like the serpent. He opened his mouth—to say what, he didn’t even know—

“What the fuck are you doing, you old bag of scales?” And there was Cole and Morro, slightly muddy from their trek, coming out of the treeline. “You said you would watch the boat!”

Pythor pointed out to shore. “Well, it’s not like it’s gone… any… where…” He trailed off as he realized what Cole and Morro had already noticed: the boat was gone, the tide higher than it had been when they arrived. “Hm.” Pythor looked at Cole, then shrugged. “Well, it’s not my fault you didn’t haul it in far enough—”

“Pythor is a liar.” Zane stated, uncaring of the current conversation. “He’s been saying that I’m—that there’s—he says there’s another Zane!”

At once, Cole froze, eyes wide. Morro shuffled off to the side, and Pythor laid his head back down on the rock. “I—” Cole started, jaw working, then, “I’m sorry.”

That… no. No no no, why was Cole acting like Pythor was right—

“You… knew?” Zane asked. The world seemed to tilt, but that didn’t make sense—his body hadn’t moved at all, and was still standing perpendicular to the ground.

“Why, of course!” Pythor interjected, “He and Zane are—or were, I suppose—the best of friends! Brothers, even.”

“Pythor.” Cole growled, “shut up.” He turned back to Zane. “I’m sorry, I didn’t know how to say it—”

“To say what? That I’m just the replacement?” Zane demanded. Then, against his better judgment, he asked, “What is the other me like? Is he…” So many different questions flashed through his processors, and he settled on, “Is he better than me?”

“Absolutely not,” Morro cut in, from somewhere behind Zane. “Look, as someone who’s older than Pythor, and thus wiser—”

“You are not older than me!” Pythor argued, only to snap his mouth shut when Cole gave him a look.

“—take it from me.” Morro continued, “You’re not him.” He looked Zane up and down. “Pythor’s full of it.” He added, and Zane opened his mouth to ask what Pythor was supposedly full of—

“You are like him.” Cole said, the look in his eyes similar to Father’s eyes when he reminisced about the mainland. “But you’re also different.”

“You mean worse.” Zane accused.

Cole shook his head. “No,” he said, voice hard, “You’re… you, and that’s not a bad thing.” He sighed. “None of us knew.” He said. “When we found Professor Julien at the lighthouse, he never mentioned—” He cut himself off, looking at Zane with something an awful lot like sympathy. “I’m sorry.”

“You… were there?” Cole had been in the group that had taken Father away, that had left Zane behind—

“Yeah, yeah, so Rusty here was made because Snowball’s dad was lonely, whatever.” Morro slung his arm over Zane’s shoulders. “You’re not gonna be stuck in Snowball’s shadow, okay?” He nodded, “I’ll make sure of it.”

Zane shrugged Morro’s arm off of his shoulders. “I don’t want—I just—don’t call me rusty.” It was true, he was rusted at parts, thanks to the sea air, but—it felt like an insult. He bet the other Zane wasn’t rusty.

Wait. “The other Zane…” Zane started, “Is he mechanical?” Or was he flesh and blood, like Father, and Zane was simply made in his image?

“He was just as mechanical as you even before he blew himself up.” Pythor answered. Cole glared at him, and he raised his hands in surrender. “All right, shutting up now.”

“It doesn’t matter.” Cole groused. “He’s him, and you’re you. Neither of you is better than the other.” He turned to where the boat had been, and changed the subject. “Well, we’re stuck here until we build a raft. Do we start right away, or do we wanna continue,” He gestured towards Zane, “figuring this out?”

Zane would have crossed his arms if his joints allowed it. Truthfully, he didn’t exactly want to go out to sea again so soon—but he wanted to think about this new revelation even less. He was angry—but at what, he wasn’t sure.

“Well, if I can’t call you Rusty,” Morro started, “How about Copper?”

“Too close to cop.” Pythor shot it down. “Why not Echo? Since he’s a copy, and all.”

“Absolutely not.” Cole cut in, then turned to Zane. “What do you want to be called?”

Zane had no idea. “My name is Zane.” He stated. “I’ve never had another.” He frowned. “But I don’t want to just be… his copy.” His name was Zane, but that name bothered Cole—and was starting to feel weird, to Zane.

“It won’t be replacing your name.” Cole said softly. “It’ll just be a nickname. Like Breezy.” He gestured at Morro, who huffed.

“Or Dirtclod,” Morro added, gesturing to Cole.

“I… I think I would like a nickname.” Zane agreed. He didn’t want to give up his name, the one that Father had given him—

(“Zane is my son,” He’d say, though now Zane wondered if Father had only been talking about the other Zane—)

—But he didn’t want to be called by it until he met the other Zane, and convinced him to take another name. If this other Zane was so great, he could surely bear to part with his name. Of course, that plan necessitated meeting him, which… Zane wasn’t sure he wanted to do.

“I don’t know what, though.” Zane added. How was he supposed to pick a nickname?

“Gold, maybe.” Morro suggested. “Because you’re not gonna be second best to that goody-two-shoes.”

“Why not Pyrite?” Pythor suggested. “It sounds similar to pyro, setting you apart from him and his ice powers.”

“His… what?” Ice powers? Like the way Morro had bent the wind to his control to power their boat’s sail?

“We are not naming him for fool’s gold—” Cole interjected—

“Lux, since he grew up in a lighthouse.” Morro suggested.

“I—” Zane started, as they continued listing potential names.

“Junior, he’s the younger Za—” Pythor suggested, as Cole grabbed him by the neck. “Ack—!”

“Cole, you’re the mineral nerd, is there another word for gold?” Morro asked.

Cole, still holding Pythor’s neck, rattled off several words, ignoring the way Pythor was hissing at him. “Uhh, aurum, I think, oro, kin—”

“STOP!” Zane yelled, bringing everything to a screeching halt. “Please, just—let me think.”

They stopped. Cole let go of Pythor’s neck, and Morro scuffed his shoes on the sand.

“I think… I want to be called Echo.” He said. “Not because I am a copy, but because… I was built to protect those who cannot protect themselves. I was built to remember the things that Father could not.” He had been alone in that lighthouse but for Tai-D for so long, slowly rusting apart as he waited for something to change. “Nobody should be alone.” He decided. “So I will be the echo that reminds them they are not.”

“Okay.” Cole agreed. “Echo it is, then.”

Echo nodded. Echo. Echo. He liked the way that sounded. He was still Zane, of course, but now he was also Echo.

Pythor grinned, quite pleased with himself. “Let it be known that I suggested that name—” He started—

“Let it be known that you lost our boat.” Morro interjected. “Of course, it’s what we get for entrusting it with someone too young to handle the responsibility—”

Echo watched as Pythor and Morro launched into a full argument, Pythor lunging at Morro and the two of them starting to tumble around in the sand. It wasn’t quite the same as how they had bickered on the boat ride here—in fact, it was much louder.

Cole watched them fight for a moment, then sighed heavily. He turned to Echo. “Let’s get started on that raft.” He suggested. “While they get sand up their asses.” He added drily. “Does that sound good, Echo?”

Echo nodded. He had never built a raft before! “Yes, let us. You will have to show me how.”

A gust of wind-blasted sand hit the spot where Echo was moments before, and Cole, holding Echo in the air as though he weighed very little, walked back several paces. “Oh.” Echo commented, as Cole set him down out of the blast zone. “Thank you.”

“Of course.” Cole mumbled, already moving towards the trees. Echo trailed after him, eager to see how building a raft worked.

He was out of the lighthouse, and ready to see the world Father had described to him. There was so much he still didn’t know—and someone he wished he’d never learned about, and did not want to think about right now—

But he would make it work. He was no longer alone, after all.

[a-gay-bloodmage]

Care to Join Us For Some Tea?

(Emmrich Volkarin & Sascha Ingellvar)

Rook is a very strange creature, always keeping to the shadows of the Lighthouse like a timid ghost. It isn't until Emmrich recalls a strange encounter, three decades past and in the depths of the Grand Necropolis, that he begins to understand what made Sascha Ingellvar into the man he is today.

Read Here!

[caitlynmeow]

Out of Alcina’s three daughters, Cassandra is the one that poses the most challenge.

Often times, Alcina doesn’t know how to proceed with her middle daughter especially. Cassandra is sassy, she has a sharp tongue, an attitude, can argue until she’s blue in the face, knows how to put someone in their place, can be very intimidating at times, and can hold a grudge forever.

The problem Alcina faces here is the fact that Cassandra is very much like her, personality wise. Like Cassandra’s fiery temper? Picking the right words to get under someone’s skin? Using sound logic to justify everything wrong that she did? Having a confident threatening aura just because??? Try as she might, Alcina can’t look away from how Cassandra takes after her in more than just looks.

Tl;dr, Cassandra has her mama’s personality and Alcina is often caught between “she’s just like me” and “I have to stop this” but since she’s a big softie and also realizing that this is genetic she lets Cassandra get away with A LOT.

[arti-cat]

girl in gold

[good-beanswrites]

Fe Aspec Week Day 7: Free Day -- Legacy

This one took me forever to settle on something I liked -- I was toying around with some ideas about Lukas's epilogue text and the idea of legacy, as well as a bit of meta impact. A few scrapped drawings and 1k words later, I've got this 😂

As always, thank you so much for running this week!! 💜💚 I always have so much fun with the pieces, (it's been the only event week that I can regularly commit to because I always have a blast haha!) and seeing others' amazing work! It's been such a great time :D

Forsyth stepped back from his canvas. He wiped hair from his forehead, hoping he wasn’t smearing any paint there. He studied his work, then his model, then his work once more. He gave a decisive nod. 

“Well. I tried.”

Python choked back a laugh. “That’s not quite the confidence you want to hear from your portrait painter, you know.” He walked up to the canvas, but Forsyth was quick to angle it away from him. 

“Oh, hush, I wasn’t even painting you! I’ll have you know, it was rather difficult trying to paint something without having it in front of me.”

“What are you talkin’ about, Luke was sitting right there for hours!”

At his mention, Lukas perked up. He��d been lounging in front of Forsyth, his eyes lowered to sift through a pile of student writings. He’d been scribbling notes in the margins, absentmindedly angling his face this way and that when Forsyth requested.

“And I am incredibly grateful for his presence. However, I did not want to capture him looking like a sleep-deprived schoolteacher –”

“– but that’s exactly what he is –”

“– so I attempted to recreate my personal favorite expression of his.”

Lukas smiled. “Oh? And what would that be?” He placed the papers aside, giving Forsyth his full attention. Lukas nodded to the canvas, encouraging him to reveal it. 

“Well… you see… the point of this whole project…”

Forsyth searched for the right words. The point of the whole project actually struck him months ago, back at Rigel Castle. 

He and Python had sat for their own portraits, which would later be hung in the great hall to commemorate members of the Brotherhood. Forsyth could have cried seeing he and Python’s likenesses full of dignity and chivalry. The whole time, though, he couldn’t shake the feeling of injustice that boiled in his stomach: Lukas would get nothing. 

Sure, his name would appear in the records as the royal family’s right-hand advisor during and after war, but his image would disappear entirely. He left the Brotherhood to fulfill his dreams long before the kingdom was stable enough to commission a professional painter. With his brother furthering the bloodline and becoming the major focus of the household, Lukas was relieved of all marriage obligations – and opportunities for a couple’s portrait. Paintings alongside any future children were out of the question, as well. 

“It’s terribly unfair!” Forsyth had cried. “Are war and romance the only means to remember a man? Is he any less worthy because he will never marry?”

“You’re overthinking things, Fors.” Python had hardly spared him a glance. “Plenty of good people don’t get their paintings done.”

“And that is just as much an outrage!” 

He brought his concerns to Lukas, who seemed at peace with the situation, as Python was. The pair’s disinterest only caused Forsyth more urgency. After a bit of deliberation, he knew there was only one path forward. 

“I shall take this into my own hands.”

They would find out he meant this very literally. He showed up at Lukas’ schoolhouse with various brushes clutched in his hands, an apron thrown over his chest. He pulled up a nearby seat, propped up an easel, and got right to it. It became their routine: once classes dismissed for the day, Lukas would busy himself with reading through his school materials, and Forsyth would busy himself with work of his own.

He’d done his research beforehand, but had never actually painted anyone’s portrait. He looked again at the finished product.

“I was hoping to capture… er… the point of this work is to commemorate your independent situation… and thus… I remembered the days after you first told me, you were the happiest I’d ever seen you. The face is still a rare one, but after that night, I’ve seen that side of you more and more. I just thought…”

He gave an audible huff. Screw it. 

He turned the canvas around. 

“I am sorry. Perhaps I should have gone with a more dignified look, like the other knights’ portraits. I am aware that I have yet to accomplish a professional’s level of –”

“It’s perfect.” 

Forsyth blinked. 

Lukas stared at the canvas. He appeared to be working out his next words. Meanwhile, Python let out a long whistle. “Lookin’ good! Not too shabby, for your first masterpiece.”

“‘Not too shabby’ is an understatement.” Lukas stepped closer to the piece, his voice full of warmth. “Thank you, friend.”

In the painting, Lukas wasn’t sitting straight-backed and stiff; it was focused on his bust, leaning a bit in relaxed movement. He wore casual clothes, none of his usual professional garments. He smiled. His mouth was a little lopsided, a little odd, pinching his eyes a bit, showing some teeth, but not all – and it was a perfect replication. This was Lukas’s true smile, not the one he put up for others to view. 

Python gave him a poke. “So, now what? Where are we gonna do with it? We can’t just smuggle it into the royal gallery. And I don’t think Lukas is the kind of guy who wants to stare at it here in the school all the time.”

“Well, I… er….”

“I mean, we can certainly just go and hang it up somewhere around town, but I don’t think he’s looking for that, either.”

“I just thought he’d want it! For his legacy!” Forsyth huffed. His eyes shone with The kind of determination that the others knew not to overstep on. There was no stopping him now. “It’s important that he’s remembered through the ages! I think of all the heroes that inspired me – the way I gazed at their images in my fathers’ textbooks, gaining hope from their stories…”

“You’re hoping that Lukas ends up in some dusty textbook someday?”

“Indeed!” He beamed, not realizing that Python didn’t see it as a grand victory. “Just imagine: centuries from now, some harrowed scholar, crushed under familiar struggles. They get a hold of a secondhand book, and suddenly, bam!” He gestured to the painting. “They look upon his face and see that everything will be alright. They’ll think, ‘if Sir Lukas of Valentia can do it, and smile so purely at the end of it all, surely I can too!’”

He clenched his fists, caught up in his own excitement. His gaze was somewhere faraway, imagining this incredible future.  

Python scoffed. 

“It sounds like they’re just as much of a hopelessly sentimental dreamer as you are. They’ll probably think, ‘gods, now I need to study up on this guy too?”

“Python…”

“Or, if they’re like me, maybe they’ll think, ‘mmm, that is one fiiine –”

“Python!”

“Alright, alright. I think it’s a real nice gesture, Fors.”

Lukas had been quietly taking everything in for a while. Now he spoke. “I truly believe this is perfect. As you said – this is an expression only saved for rare occasions. It’s difficult for me to smile so genuinely. I… I never really see it myself.”

He placed a hand on Forsyth’s shoulder. “We can hope it reaches others someday, but regardless, I am grateful to have seen it right now. It inspires me about the future. I… I cannot thank you enough.”

[runefactorynonsense]

Nevermind me, just once again admiring this today. A+ winter area music, plus sounding so unlike anything else in the series??

[narwhalandchill]

not a comment on a r/fatuiHQ meme of all things making me finally notice that childe activating FL all the way back in the golden house cutscene actually summons those black hole/collapsing star imagery things (looking Exactly like the narwhal boss drop at a specific frame too) behind him if u look at it closely at the right frame😭😭😭

(peak subreddit btw.)

i mean its not Completely new for a motif his teleporting in the 4.2 opera cutscene is a much more clear example of the same exact visual effect but. Dang i never slowed the 1.1 cutscene down enough to see it for myself there before

what a cool detail and reccurring motif there! now let me lose my mind and credibility for a bit Thanks

(actual nonsense warning lmao its just cool black hole sfx but gone downhill)

(a Completely unrelated compilation here Surely. yes the narwhals spout attack thingy is less Obviously the same visual but its a pretty picture of my beloved. sue me. also its close enough 2 me)

anyway isnt it Curious how all these effects are ummmm black holes. like there are stars visibly collapsing here uwu. and black holes are. Collapsed dead stars. wouldnt it be funny if the narwhal boss drop archive entry somehow directly implies that the eye of maelstrom (a black hole) could simply be the echo of its prey. Which are. Yaknow. sometimes stars. for a cosmic whale. so an echo of its prey is an echo of a dead star. crazy ik. if anything like that existed i mean

oh JEEPERS. next thing youll tell me stars are archons forbid often used as a sort of allegory and very prevalent reference to some sort of an important category of people. like a descender or something. crazy ik (2: Electric boogaloo)

WHAT!!!! (and like 4 billion other examples i couldnt bother to gather and sc sorry)

and like. sure sure lets not get too crazy we need to remember skirks usage of this same power as well thats a good point. i should remain skeptical of my own insanity thats very true. we all get a sticker for responsible behavior UwU

so she indeed turned the narwhal into a black hole there yes. She Did That. so maybe its just the power from beyond thing. its void power its quantum but genshin. the black hole/collapsing star stuff is all surtalogis power okay lets consider that for arguments sake. well i guess that means its just surtalogis brand of transcendent abyss power and not about black holes slash dead stars that may or may not be dead descenders. thats fine

Whew i guess thats it then we solved it guys. okay i can accept that. its abyss power because surtalogi things and childe and the narwhal displaying it is all because of surtalogis plots and teachings and powers. something like that

and even if that may be a bit anticlimactic of a conclusion for a narwhalpilled truther like myself (with a penchant towards Theres Some Descender Shit Going On With Ajax antics as well) at the very least its good that there isnt any datamined book series in which some particularly pygmy-esque individuals Strangely fitting of our current descriptions and knowledge of of dain + the sinners band together to merk some guy from beyond teyvat with special powers that may or may not be the irminsul-proofed historical account of a particular descenders death so nothing like THAT can throw a wrench into our very confirmed conclusion of surtalogis power and by extension childe and maybe even the narwhals black hole motifs just being basic abyss element power that has absolutely Nothing to do with any descenders or... dead stars? yeah its a good thing nothing like that exists .

OH SH----

[qualitative-decay]

more adventures in schrödinger's perceived-or-not, on account of. coyn still has me by the throat a bit perhaps lmao

----

----

he feels numb. he can tell he has more reaction than that; can feel something hovering in the periphery, something repeatedly restricting his breathing and spreading tension over his temples, but—

here... isn't a good place for that.

now isn't a good time.

they stare resolutely at the seat in front of them. if they look out the window, the chance of them getting lost in the blur of lights and missing their stop entirely edges into dangerous territory, and they already feel like they're clinging to the present moment with both hands.

the bus is... quite full. he holds his backpack on his lap and tries very hard not to touch or be touched by the woman who claimed the seat next to him — a task made more difficult by her wild gesticulation as she converses with some passengers across the aisle.

he shrinks into his seat and ignores her as best he can. he wishes he could actually have anything playing over his headphones to better mitigate the "every single thing happening around him", but... he's still worried about missing his stop.

.....

.....

he doesn't quite blink and find himself on the doorstep of stan & the narrator's place — if he looks back, he can drag out the memories of more or less what happened in the intervening time — but it's vague enough and distant enough that he's grateful he did in fact end up where he meant to. or, some future him will be grateful. whenever his feelings come back online. ...probably.

they think they'd meant to knock on the door, but... they're sitting against the wall next to it instead, backpack again on their lap, curled to hide their face against it.

they'd been holding it together so well earlier, too. got stuff packed, made sure that their— that the room they'd been staying in was as orderly as they could manage. they didn't know what to do about things they had to leave behind; they felt a little bad for leaving it for b to deal with.

(if it feels like something in his chest is squeezing to think about him, if his next breath comes half-choked, it's just the worry. it's just the concern. he really should knock so he can go inside. he probably should tell someone something's going on.)

...is something going on? they're— this is— something is wrong, isn't it? they think they used to feel more certain, but... no matter that they know they can't trust it, with everything the parable said, and stanley's own behavior of late— they just— they aren't sure anymore. maybe there's no reason to be concerned. maybe stanley just... got tired of having them around.

maybe they just want this to be indicative of something being amiss, because the alternative literally, physically hurts to look at.

(...maybe they shouldn't have forgotten that it had always been meant to be temporary.)

he scrubs at his face with his sleeve. this isn't helping. he needs to go inside so he can actually feel— safe. not that he feels in danger out here, exactly, he just— it feels exposed.

.....

.....

he's sitting on the edge of the bed in the guest room, light spilling in from the hallway. part of him wants to close the door. part of him is viscerally recoiling from the thought of a closed door, no matter that he could open it again any time he wanted.

...he didn't really end up explaining anything. he couldn't figure out how to; got about as far as a very scripted he knows it's zero notice but would it be alright for him to spend the night, before the static fully crashed over him again and left him unable to get much anything else across. even through thought. too full of fog up there; nothing coherent for the narrator to read unless he wanted to dig for it.

stan and the narrator had exchanged a Look, the meaning of which would probably still have gone over their head if they had been more present, and the narrator had suggested they get some rest; they could talk more in the morning if they felt up to it. and, in all honesty, the idea of shutting themself off for a while sounded very appealing.

it... still does.

so, somewhat mechanically, they open their backpack and start to fish out sleep things.

it's a decently sized backpack, but not so large that a stuffed animal could really get lost inside. and yet... he can't find tether in there. he digs out more clothes in case it's just further down than expected, but the creeping suspicion that he somehow forgot it at stanley's flat is—

their train of thought is utterly derailed by the next thing they grab. they have... no recollection of packing this. (not true. they can picture it, can in the most abstract way recall it, but it's like something from a dream, or a story told by someone else. it doesn't feel like something that actually happened, even with the evidence under their fingertips.)

he clutches stanley's hoodie against his chest, curling around it. for the nth time in the day his throat closes against the emotion, his breath squeezing through painfully. it would probably rasp if he'd let it, but even though it makes him dizzy he forces himself to breathe slowly enough to not make a sound.

it feels very important, somehow, that he not make a sound.

once their breath comes more steadily & with less effort, they shove everything but b's hoodie somewhat haphazardly back into their backpack and drop it off the edge of the bed. they can brush their teeth and do any other hygeine maintenance in the morning. they flop back onto the mattress with more force than was really necessary and hide their face in the hoodie against the light from the door.

(sleep, fortunately, finds them before too long.)

[sybbi]

Jewish people in the diaspora: Hey I believe Palestinians should have self-determination and rights that have for too long been denied to them and I believe the architects of Israel's response have gone too far and slaughtered and displaced innocents and the human cost of this "self defense" is too great and something needs to be done to stop this before it's too late, Palestinians deserve their place in the Levant and the ability to self-govern, but hey it's also kind of concerning that some of you will ignore when actual dangerous antisemitism is being displayed and spread and I'd just really appreciate if you also would watch out for people like that in the pro-Palestine movement and call people like that out, thank you

You freaks: